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Reading The Cost of Aspiration felt uncomfortably accurate.
For many of us, college was presented as the escape route — out of poverty, out of instability, out of generational struggle. Nobody sat us down and explained that the escape route had ‘tolls’ that would follow us for decades. It also captures something rarely discussed: we don’t just borrow for tuition. We borrow to survive. To eat. To live near campus. To attend unpaid internships that everyone says are necessary. Debt becomes the quiet partner in every decision.
What resonated most was the idea that student loans replace generational wealth. Our peers get family help for rent, books, emergencies. We get interest rates! But the piece also felt empowering. Knowing that this is structural, and not personal failure, changes the narrative. It makes strategy possible. It makes advocacy possible. It makes anger productive. College shouldn’t be a gamble with generational consequences. Until it stops being one, we need to talk about it exactly like this.
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@nubian Particularly valuable is the discussion of algorithmic co-optation and surveillance capitalism. This raises a critical question: Black digital activism often relies on infrastructures owned by institutions historically indifferent or hostile to Black liberation.
Digital platforms, while lowering barriers to participation, operate within corporate and state architectures that extract data, commodify outrage, and unevenly moderate political speech.
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This is exactly how global music should be moving. No forced features, no “Afrobeats remix” energy — just creatives in a room cooking. Lagos is clearly the main character right now, and France knows it! When Afrobeats links with rap, Caribbean sounds, or EU pop without losing its soul, it hits different! If even one of those tracks goes viral on TikTok, it’s over. Afrobeats isn’t crossing over anymore — it already arrived!
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A core insight is that systemic underinvestment in schools, mental health, and social services contributes directly to youth disenfranchisement. Young people in neglected communities are often disengaged not because they lack potential, but because institutions have failed to meet their needs or treat them with dignity.
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Many post-colonial conflicts across Africa – from North to South – can be traced to these imposed divisions.
This act of unilateral decision-making not only denied Africans the right to self-governance but also imposed foreign political structures that disrupted indigenous governance systems, cultures, and economic autonomy.
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Kendrick Lamar’s Super Bowl halftime performance was one big tease. An intricate buildup, balancing artistic depth, history, story-telling with provocation.
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Agreed!
The under-recognition of Hounsou’s talent, as evidenced by the Academy’s oversight of his performance in Blood Diamond, underscores the biases that shape award nominations. His comment about being perceived as “just off the boat” reveals an insidious form of racism that dismisses African actors as outsiders, regardless of their skill or achievements.
Hollywood’s reluctance to embrace African talent fully stems not just from ignorance but from entrenched power dynamics that prioritize Eurocentric narratives. This bias not only limits opportunities for African actors but also deprives global audiences of authentic representations of African stories.
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