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SUCULTURE iniciou o tópico "Hierarchy of Racism" – Should Diane Abbott have been suspended? no fórum Black Feminist Perspectivespublicação fixada
“Hierarchy of Racism” – Diane Abbott deveria ter sido suspensa?
Fundo:
Para responder ao contínuo Diane Abbott furor é importante fornecer algum contexto histórico.
Dentro junho de 2021 a Lei da Câmara do Texas [3979], e sua conta associada - Projeto de Lei do Senado [2202] foram assinados em lei. É um dos muitos em todo o país, e t…Read More
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SUCULTURE iniciou o tópico A new wave of consciousness: Rise of The Obidients. no fórum Academia, Scholarship & Researchpublicação fixada
Uma nova onda de consciência: Rise of The Obidients.
no verão de 2020, houve um aumento Vidas negras importam [BLM] movimento no Estados Unidos [um movimento político e social descentralizado] que inicialmente começou como uma campanha para combater a brutalidade policial contra afro-americanos.
Apesar dos protestos diminuírem,…Read More
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SUCULTURE iniciou o tópico Slaves, or Enslaved. Merchants, or Scoundrel. Saints, or Sinners. no fórum Academia, Scholarship & Researchpublicação fixada
Introdução e linha do tempo
A África antiga não estava isolada do velho mundo.
A pesquisa histórica e arqueológica fornece uma compreensão sólida do antigo comércio transaariano, desde aproximadamente 4000 aC (muito antes do 1º século CE; e descrito como começando com a era da metalurgia africana no caso de Senegal),…Read More
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SUCULTURE iniciou o tópico From Paris to Lagos: How French–Nigerian Collaboration Is Shaping the Next Era no fórum Music
From Paris to
Lagos: How French–
nigeriano
Collaboration Is
Shaping the Next
Era of Afrobeats.
For more than half a century, musical ideas have travelled back and forth between France and West Africa—through vinyl records, migration, radio waves, nightclubs, and now streaming algorithms. In 2026, that long conversation ent…Read More
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Julian Cole responderam ao tópico A House That Paints Back: Inside Kehinde Wiley’s Lagos Sanctuary no fórum Architecture
This article deepens my understanding of Wiley’s practice beyond the canvas – framing the Lagos residence not merely as a backdrop for his work but as an extension of it; and situating this thoughtfully within Nigerian/African architectural traditions. -
SUCULTURE iniciou o tópico A House That Paints Back: Inside Kehinde Wiley’s Lagos Sanctuary no fórum Architecture
A House That Paints Back: Inside Kehinde Wiley’s Lagos Sanctuary:>
Set within a quiet cul-de-sac on Victoria Island, one of Lagos’s most cosmopolitan districts, Kehinde Wiley’s Lagos home reads as an architectural meditation — a careful negotiation between solitude and sociability, inside and outside, tradition and interna…Read More
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SUCULTURE iniciou o tópico Being Poor Is Expensive: Structural Inequality, Social Exclusion, Hidden Cost no fórum Music
“Being Poor Is Expensive”: Structural Inequality, Social Exclusion, and the Hidden Costs of Poverty in the Context of Youth Violence.
Abstract:
This article critically explores the statement popularized by British rapper Bashy—“Being poor is expensive. Everything costs us more”—as a socio-economic lens through which to understand…Read More -
Julian Cole responderam ao tópico Afreximbank in Barbados: A Historic Nexus for Pan-African Trade and Global South no fórum FinTech, Finance & Investing
@africamonetárioHaving Afreximbank physically present in the Caribbean offers more than financial services; it delivers a sense of institutional belonging and recognition to the Black diaspora.
It’s a rare example of a major African institution making a bold, physical commitment to diaspora inclusion, thus potentially inspiring other c…Read More
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