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0ẹrẹ koko "Hierarchy of Racism" – Should Diane Abbott have been suspended? ninu apejọ Black Feminist Perspectivespinni post
“Logalomomoise ti ẹlẹyamẹya” - Ṣe o yẹ ki Diane Abbott ti daduro bi?
Lẹhin:
Lati dahun si awọn ti nlọ lọwọ Diane Abbott furore o jẹ pataki lati pese diẹ ninu awọn itan ti o tọ.
Ninu Oṣu Kẹfa ọdun 2021 a Owo ile Texas [3979], ati iwe-aṣẹ ẹlẹgbẹ rẹ - Ofin Alagba [2202] won wole sinu ofin. O jẹ ọkan ninu ọpọlọpọ jakejado orilẹ-ede, ati t…Read More
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0ẹrẹ koko A new wave of consciousness: Rise of The Obidients. ninu apejọ Academia, Scholarship & Researchpinni post
A titun igbi ti aiji: Dide ti The Obidients.
Ninu ooru ti 2020, nibẹ je kan jinde ninu awọn Black Lives Nkan [BLM] ronu ninu awọn Orilẹ Amẹrika [igbiyanju iselu ati awujọ ti a ti pin kaakiri] eyiti o bẹrẹ lakoko bi ipolongo lati koju iwa ika ọlọpa si ọna African America.
Pelu awọn atako ti dinku,…Read More
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0ẹrẹ koko Slaves, or Enslaved. Merchants, or Scoundrel. Saints, or Sinners. ninu apejọ Academia, Scholarship & Researchpinni post
Ifihan ati Ago
Áfíríkà àtijọ́ kò yà sọ́tọ̀ kúrò nínú ayé àtijọ́.
Itan ati onimo iwadi pese a duro oye ti atijọ trans-asahara isowo, lati isunmọ 4000 BC (gun ṣaaju si awọn 1st orundun CE; ati apejuwe bi bẹrẹ pẹlu awọn ọjọ ori ti African metallurgy ninu ọran ti Senegal),…Read More
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0ẹrẹ koko A House That Paints Back: Inside Kehinde Wiley’s Lagos Sanctuary ninu apejọ Architecture
A House That Paints Back: Inside Kehinde Wiley’s Lagos Sanctuary:>
Set within a quiet cul-de-sac on Victoria Island, one of Lagos’s most cosmopolitan districts, Kehinde Wiley’s Lagos home reads as an architectural meditation — a careful negotiation between solitude and sociability, inside and outside, tradition and interna…Read More
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0ẹrẹ koko Being Poor Is Expensive: Structural Inequality, Social Exclusion, Hidden Cost ninu apejọ Music
“Being Poor Is Expensive”: Structural Inequality, Social Exclusion, and the Hidden Costs of Poverty in the Context of Youth Violence.
Abstract:
This article critically explores the statement popularized by British rapper Bashy—“Being poor is expensive. Everything costs us more”—as a socio-economic lens through which to understand…Read More -
0ẹrẹ koko The Super Bowl Halftime Show as Spectacle and Subversion ninu apejọ Music
The Super Bowl Halftime Show as Spectacle and Subversion: A Critical Analysis of Kendrick Lamar’s Performance:
Awọn Super Bowl halftime show has long functioned as an emblem of corporate spectacle — a meticulously choreographed and highly commodified cultural moment designed to draw in non-sports audiences and maximize adv…Read More
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trpst#trp-gettext data-trpgettextoriginal=1132>ÀGBÁRA ati ẹ ore ni bayi
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0ẹrẹ koko The Economic Implications of Discarding DEI ninu apejọ Tech, Software & Development
The Economic Implications of Discarding DEI: A Critical Examination of Market Dynamics and Corporate Strategy.
The Economic Implications of Discarding DEI: A Critical Examination of Market Dynamics and Corporate Strategy
In recent years, Diversity, Equity, and Inclusion (DEI) initiatives have become a central pillar in…Read More
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